The middle-Easterners are the binding part of the image because their existence on the photograph implies conflict since they represent the civilian or the innocent citizens who are caught in the middle of terrorism and war . Though these people can be construed as middle-Easterners who support the intervention of the US in their country so that they can be freed from their present predicament . As Michel Foucault posits , the danger in interpreting semiotics is that either one over interpreted it...











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