Niger women . Nanook of the North is viewed as the paradigm of romantic , lyrical ethnography , the film of art , which hinges upon a nostalgic reconstruction of a more authentic humanity . The ethnographic is reconstructed to appear real to the anticipated audience , and the fiction sustained is that film does not alter anything . This ideology undergirds the use of cinema in the salvage ethnography of vanishing races . The Inuit family is represented in a cinematic ethnographic present in which intertitles establish...











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