Of course , it is only part of the course wherein the issue of authenticity becomes central not only to the audience but also to the performer and to those who have strong attachments to musical works , especially the musical pieces which have become famous and labeled as `masterpieces ' in their own right . It can be noted that a considerable part of Keller 's article expresses some of his musical experiences . At such a point , it can be argued that Keller...











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