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essay #1097
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| Type of paper: | Essay |
| Subject area: | Child |
| Academic level: | College |
| Style: | Harvard |
| Size: | 34.5 kB |
| Word count: |
1642 words/6 pages
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| Mark awarded: |  |
| Author: | Milda Padilla |
| Date submitted: | 2008-11-19 11:27:23 |
| Rating/Votes count: |
5.00 / 4
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| Tags: | test, century, reading, cultures, hall, algebra, ways, English, Hong Kong, Kierkegaard, Elizabeth Hall, Statement Rewrite Prompt |
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Ways of Reading Asian Cultures 2005 Introduction . Both `Bollywood ' and Hong Kong cinema can be considered the phenomena of Eastern cinema culture . Obviously , the similarities and differences between them respond to the historical development of the countries . All the historical conditions that made their contribution into two cinema traditions formation are not the issue of this essay . It is helpful , however , to mention what defined the ways of cinema development in India and Hong Kong . That is why the first paragraphs of my essay tell short history to help to understand the specialties of Bollywood phenomenon and cultural translation of Hong Kong cinema . These paragraphs describe also the genres and special movie features for both traditions , finding out their similarities and differences . The second part of the essay is analyzing the international popularity of Indian and Hong Kong movies based on their special features and historical development . Discovered similarities and differences of Indian and Hong Kong cinema tradition and international popularity are summarized in the conclusion . Bollywood cinema tradition . Both India and Hong Kong are postcolonial British societies . India proclaimed its independence in 1940th , thus Indian culture saved its national unique . It was reflected in Popular Hindi Cinema , which has become the rich mix of tradition , myth , religion , history and geography specialties , as Raj Kapoor said : mix of ``commerce with art '4 . It should be specified here , that Bollywood is Hindi Popular Cinema , the name given by Indian English Press to refer the Bombay film Industry (Virdi , J 2003 , pp . 20 . It is a little ironic , I think , because Indian cinema Industry has never had and won 't have in the nearest future either wherewithal , or , actually , the reason to compete with American cinema Olympus . In case if foreign investment in Bombay film industry should have place , it would bring also the investor 's movie making traditions and thus would harm the unique Indian national movie . When it comes about the reason to compete , it should be said , that eastern and western movie traditions are so different that the yawing chasm between them for Indian cinema will stay for many years even despite of the recent interaction tendencies . Bombay movie Industry was considered Indian Hollywood , probably , because of its dominance in the national industry and the output of films in the most wildly understood language - Hindi-Urdu (Ninian , A 2003 . There was a 50-year Indian Popular cinema genre tradition . Two genres dominated in Bollywood production : love stories and gangster-action films . The first appealed to the tests of middle and high class Indians (Ninian , A 2003 , and therefore have rich decorations , sentimental plots , proclaim pure ideas and high moral , social , and national ideals (Mother India , 1957 . The main characters are either rich people , belonging to upper castes , or poor but very generous heroes . These movies picture the portraits of an ideal woman (later they picture the women 's movement , as in Insaaf ka Tarazu , 1980 ) and mother (Aradhana , 1960 , and male heroes . Action films appeal to the tests of poorer people belonging... |
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