brit lit poetry essay

Vaughan 's subtleties in limning God in his poems of the divine

Henry Vauhgan was one of the more important poetic icons of the 17th century . Born in 1622 in Breconshire , Wales , he eventually became a bright student of Oxford University (Bateson 346 . After a few years , he pursued Law for beginning his poetic enterprise

As a poet , one of his greatest contributions was his anthology of poems which leaned on occult and spiritual themes -Silex Scintillians or the Fiery Flint (Vaughan 12 . His works evidently have a religious tone very distant

from his initial inclination as a writer

Vaughan also became identified with a group of called the metaphysical poets . These poets of the 17th century mostly wrote lyric poems about abstract things - things that cannot be seen or touched , or simply do not have a concrete form (Harvey 255 . Things or concepts like death , the human spirit and God were some of their more prominent choices of focus

Aside from that , the metaphysical poets are also much more distinguished for their incorporation of a metaphysical conceit in their work s (Craig 133 . A metaphysical conceit is an elaborate comparison that makes use of two seemingly farfetched objects in establishing connections or similarities . The usage of unusual pair of images heightens the effect of the comparison and gives more emphasis to the point of comparison

In Henry Vaughan 's Cock-crowing ' and They are all going into the world of light ' the employment of a metaphysical conceit can be...