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Paper Topic:


The Affective Nature of Ludwig van Beethoven 's Ninth Symphony

In Stanley Kubrick 's A Clockwork Orange

It is not truly surprising when some famous tunes or melodies are heard incorporated in some way into popular forms of media such as films or advertisements . It might be noted that the primary purpose of this is almost always to create a particular effect . In advertisements , such melodies or excerpts from popular songs are utilized most of the time to attract their particular audience or target market . This is accomplished through the principal edge

of the song which is its popularity , that in turn invokes feelings or thoughts of association from the audience as they have most definitely heard the song before , and it is rather familiar if by chance they do not really know it , as songs as such dominate the airwaves or are so often incorporated into typical projects regarding media

In films , however , the musical score plays a more complex , and equally vital role . With the exclusion of silent films , cinematic productions which are originally intended for both hearing and viewing often receive criticisms regarding their musical scores , among a number of the other elements of film . Musicals are even doubly criticized for such Apparently , music is affective , in that it possesses the ability to arouse various sentiments and thoughts in its viewers which are , more often than not , essential in their understanding and consequent appreciation of the film . Likewise , it may also dampen their enthusiasm or further blur...

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