Intro to Fine Arts cp7
Client 's Name Date Professor 's Name Course Baroque In Rubens ' Descent from the Cross the element that makes the oil on canvas baroque in nature is that of the attention to detail . Rubens was contrary in his painting , which was a personal part of his artistry and not defined by the Baroque art period . His bodies in his paintings though in action or even in repose were depicted although with muscles tone , the muscles seemed flaccid , as is the case in the above mentioned painting The wounds

of Christ are Baroque in their depiction because it is the opposite of what previous artistic movements has focused upon . There is the revelation of power in the gathering disciples and in the color palate being manipulated in the painting the subtle tones and the attention to chiaroscuro is what gives the painting a very Rubenesque feel . The viewer 's attention again is draw towards the bodies albeit muscular , they are not showing signs of body fat , they are perfected in their grief , and in the area of opposites , this is what Rubens wanted to capture the perfect body juxtaposed with very human emotions the god body paired with humanity
In exact contrast to Rubens depiction of Christ 's flaccid yet toned body , Velazquez gives the viewer a Christ who hangs somber on the cross His body is in classic Greek contrapposto his body is aligned in an S-curve . The starkness of the painting the black background , and the striking whiteness of Christ 's body adds to the power of the moment the messiah on the cross . Rubens ' painting was chaotic with colors , but Velazquez shows restraint in this painting by allowing the moment , and the feeling transcend the painting , by toning down the colors
As opposed to Rubens ' Christ , Velazquez introduces the viewer to the bodies position on canvas . Rubens engaged other participants with Christs ' movement off the cross . Rubens has a similar piece which is depicting Christ being hoisted upon the cross . Velazquez on the other hand shows Christ solitary in the painting he endures by himself , which is in itself a great contrast to the jumble of bodies prevalent in Rubens piece
Rubens also denoted a lot of muscle mass to Christ while Velazquez depicts his Christ more like a younger , realistic man Velazquez makes his Christ human with human qualities and while Rubens portrays Christ bleeding the same human sentiment is not shown . Velazquez shows Christ himself grieving on the cross instead of Rubens ' painting where everyone but Christ is grieving and this is what makes Velazquez 's Christ human
Titian portrays Magdalene in somber tones , that are prevalent throughout the High Renaissance . The tones and colors used create a mood of reserved trepidation and the facial expression used is that of inquiry . This inquisitiveness is subtle in Titian 's art , but in certain facial expressions and through the use of color , the look of the characters becomes sometimes inquisitive , royal , or even pensive . The dark yet vibrant...





