Compare and Contrast these two artists paintings Nam June Paik,s TV Buddha, 1974 and Jackson Pollock, No.1 (Lavender Mist), 1950
A COMPARATIVE ANALYSIS OF NAM JUNE PAIK 'S T .V . BUDDHA AND JACKSON POLLOK 'S LAVANDER MIST By MACROBUTTON NoMacro [Insert Names of Author (s )] MACROBUTTON NoMacro [Insert Course Identification information here] MACROBUTTON NoMacro [Insert Professors name here] MACROBUTTON NoMacro [Insert Submission date here] MACROBUTTON NoMacro [Insert Names of Author (s )] MACROBUTTON NoMacro [Insert Course Identification information here] MACROBUTTON NoMacro [Insert Professors name here] MACROBUTTON NoMacro [Insert Submission date here] A Comparative Analysis of Nam June Paik 's T .V . Buddha and Jackson Pollock 's Lavander

Mist
All modes of inquiry correlate with each other due to their tendency to coalesce in their emphasis on issues regarding autonomy , justice , and politics . The differences of art theories , for example , merely spring from their construal of the relationship between the exercise of power and the text . However , differences in discursive procedures do not overshadow the fact that these theories give emphasis on their analysis of the political and institutional structures within society . A concrete example of this can be seen in the opposing theories of constructivism and essentialism
Adhering to competing narratives of oppression and resistance , both theories show interest on the subject 's position within society and how this position can affect the development of his identity . In fact , if one isolates the discussion of identity and narratives of oppression in both discourses , one will notice that the ultimate commitment of the theories they adhere to gives emphasis on the idea of the political life . Politics within these discourses is seen as a collective action of resistance , which aims for change in the hopes of attending to the problems evident in the formation of identity and agency (Arendt 13 . In lieu of this , the 's task is two fold
Art as a repository of human experience has always been influenced by politics . Exercise of power within society is associated with and dependent on the mass production of certain kinds of art forms , which allows the cultural qualification of ideas . The relation between art and politics can also be seen in art theory 's assessment of the formation of consciousness and unconsciousness , which is related to the maintenance and transformation of the predominant modes of power made possible by the output of artistic texts (Eagleton 210 . It is also dependent upon the ahistorical positioning of the art form , since this allows the continuous creation of meaning for a particular text . This mode of relationship invokes the aesthetic character of art
Specific works of art that portray the above mentioned correlation between the aesthetic and political aspect of artworks are Nam June Paik 's T .V . Buddha and Jackson Pollock 's Lavander Mist . Both belonging to the postmodern genre , Paik and Pollock 's work exemplify art objects arranged , portrayed , or created in unconventional forms . Paik 's T .V Buddha , for example , portrays an antique Buddha statue watching his videotaped image on the screen . Pollock 's Lavender Mist , on the other hand , portrays a drip painting with a lavender effect produced...
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